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The Fionavar Tapestry trilogy

Guy Gavriel Kay’s series began with The Summer Tree, continues in The Wandering Fire, and concludes in The Darkest Road.

The Summer Tree starts off quickly; leaping into the action before the main characters understand what’s going on. The five students from our world are dragged into Fionavar, where they’re faced with difficult tasks that change them. I was upset at the author’s treatment of Jennifer… even though I vaguely remember it serves a higher purpose, it’s a terrible role for a character to suffer. I hope that when I get into Wandering Fire I’ll see more of the character.

The core three are together but each is affected by Fionavar differently. Kevin seems to drift along the shallowest; enjoying the world and its explorations– there is more, but he’s the least affected. Paul’s grief finds its end– his change is mostly internal and dramatic. I appreciated the author’s skill in getting us into Paul’s mindset without starting the story earlier– the details that come from Paul and Kevin’s discussions are tantalizing, and his time on the tree reveals all. Kim is the most changed, at first acted on, but her decisions and choices establish her quickly as a deep character.

Dave’s separate time is very separate– but it doesn’t feel as tangential this time. The friends and community he finds prove important to his story… it works very well.

Wandering Fire starts off strong; Jennifer gets some spotlight time to start and Paul continues his solid competence. Their return to Fionavar involves an interesting hurdle that’s quickly disposed of; Kim’s later acquisition drives a lot of the remaining two books. She brings Arthur with her, who is known and recognized without introduction.

Fionavar is suffering from horrific winter– though it’s almost midsummer according to their calendar. The telling stutters here a bit, leaping forward then back filling somewhat annoyingly. Dave and Kevin soon rejoin the Dalrei, where Kevin finds himself reduced to a torchbearer. It’s an interesting development and shows the author’s confidence in allowing smart characters to realize inconvenient things. The action starts to spin up pretty quickly from there; Kevin winds up making a true and final sacrifice that… seemed very strange, but felt authentic. The relations between the kings are well done– the one upmanship and subtle posturing ring true.

Just as Jennifer’s becoming a character I care about, she gets Guinevere layered over her. It kind of works but has drawbacks– she immediately becomes more remote. (We never experience the courtship and winning of love– it’s just realized memory and feels like shorthand). Finn’s quick love works out pretty well, somewhat surprisingly. Paul’s meddling with Dani goes wrong, appropriately. The splintering into several independent quests feels right. Paul and Arthur manage to make a “we sail places as cargo” plot work out fine; the length of the voyage is implied well, but the story really focuses on the conflicts instead of dragging. Jennifer (and Kim) each push Dani in their own ways, and it works. The novel ends on the high note of Paul and Arthur’s quest, while appropriately keeping the outcome of the war overall doubtful.

The final book continues with several good quests; I enjoyed the dwarven visit and felt the terrible debate when the Belrath demanded. Lancelot’s involvement with Jennifer/Guinevere is very abstract; they clearly have feelings [due to written history, not events in these books], but he’s shuttled off quickly. Lancelot’s kind of strange; he does great deeds, but always feels like a loose end– why is he around again? He mostly exists to pressure Jennifer’s relationship with Arthur, but all three bonds are defined rather than experienced by the reader.

In the end it comes together in a very strong concluding fight between the gathered forces of Light and Dark. The aftermath and goodbyes are interesting and round it off well.

While this isn’t my favorite Guy Gavriel Kay book, I enjoyed it quite a bit and saw a lot of new and interesting things on this reread.

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The Neverending Story

This is a reread; one I enjoy but don’t get to very often. Michael Ende has written a beautiful book about adventure and dreams. As a kid I remember empathizing with Bastian, but also feeling somewhat superior– while weak and unathletic, at least I wasn’t fat and hated. Looking at it now, he picked a great constellation of attributes for Sebastian– a few positive and a enough poor that it’s easy to imagine that you (for essentially every value of you) feel that you could do as well. Even his hesitation at coming to Fantastica is something I could “easily beat”.

The first and second halves are fascinating. I’m currently reading a paperback version, which is good, but I miss the red and green text of the hardback. (They make the difference italic versus standard print, which is good, but feels less otherworldly. I suspect House of Leaves is similar; while I read a paperback version with house highlighted blue, I bet the art version would have been fascinating as an object.)

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Travels with Charley

Hey, a Steinbeck novel I liked! It’s a sketchy snapshot of the people and countryside of the 1960s as he travels around the country. It does a good job by admitting his biases and limitations up front; despite wanting to strike up conversations around the nation, we see very few interactions. There’s a lot more time and space devoted to musing about masculinity, his dog Charlie’s thoughts and motivations, and so on.

The book turns out to be a look inside Steinbeck’s head as he drives around, with random things sparking off trains of thought and detailed observation. As he mentions several times, a different person driving the same route and stopping in the same places would record entirely different experiences. And that’s just fine.

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Superpowers by David J. Schwartz

A quick and interesting read, with characters I liked. The situation is set up well… what do Superheroes do without when they’re the only super people in the world?

The ambivalence of everyone toward the heroes (and their struggle for anonymity) is tough. The ending is just as hard as the rest of the book; one hero is dead, another jailed, and their initial high hopes are laid low.

I can’t explain why it didn’t strike a spark with me. I suspect it has to do with the 9/11 twist at the end– it didn’t match my expectation (despite telegraphing).

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Infoquake by David Louis Edelman

Infoquake tells the tale of an interesting future. Edelman does a good job of providing a futuristic book that’s heavy on the intrigue and relies heavily on corporate rivalries and political maneuvering for its conflict. That’s cool (low key subtle conflict is hard), but it also feels like warmup. That’s reinforced by the fact that this is book one of a trilogy… but it reads like this is the first third of one large book, without a decisive conclusion at the book’s end.

The novel’s protagonist is Natch, a guy I wouldn’t want to have drinks with. He’s a ruthless, somewhat shallow souled leader of a feifcorp. The secondary characters are good; Jara’s particularly complex, while Horvil is a pretty stock background, self-effacing engineer. The minor characters are typically solid, with enough depth for their role. Several are cloaked in mystery, which helps keep them intriguing.

The worldbuilding is excellent and feels like a valid future; it suffered disasters and has twitches as a result. Government is a quirky evolution from today’s– I suspect the second novel with deal with those interactions more closely. The technology is far enough ahead (and the path twisted enough) that I accepted it with the handwaving the author had done.

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Mad Drew: Beyond Coffeedome and The Sleeping Beauty Proposal

I recently read a pair of books, each a little off from my norm. Mad Drew: Beyond Coffeedome was a very fun read, humorous and zany– everything lampooned seemed to have been exaggerated for effect. Given the size of the whoppers, it’s a little scary that it just felt like exaggeration. The core is that drew is called up to go to work… which is something that he doesn’t quite believe when it’s presented. Once he’s there, he falls into the hands of management and makes wry observations about company life. The book was good throughout; drew makes no effort to redeem his character or make him more sympathetic. The situation’s absurd… but clearly believable. A lot of the side rants are fun. Jennifer had to put up with my laughing as I read through it.

The Sleeping Beauty Proposal was interesting. It’s a modern, low key romance, with strongly drawn characters. I wolfed it down quickly; it was compulsively readable. The heroine’s struggles were low key but real, and all of the characters she interacted with were well drawn. I was frustrated when the author had our typically perceptive heroine miss obvious clues to further the plot, but sometimes the clues that had been telegraphed to the reader turned out to be red herrings. The rivalries and bog of settled life were well portrayed. In the last few chapters the author gets silly, resolving all of the outstanding issues, slathering cash and rewards on the central characters, and more. It wasn’t enough to undermine the book as a whole, but it undermined the low key beginning that I’d enjoyed so much.

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Cube Farm by Bill Blunden

A very quick read (about 3 hours), this is one man’s tale of getting buried in the depths of a corporation. The story is funny, often ironic, and moves along quickly. It feels like a book version of Office Space, though with a larger cast of shallow characters. The “lessons learned” bullets at the ends of each chapter fit a pseduo-business book, but they rarely contribute much. The book is strongest as an indictment of corporatism and a personal tale.

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The Deep by John Crowley

I read it indifferently; the book starts off somewhat slow and very stylized, making it hard to really engage. The viewpoint character is decidedly strange and begins with amnesia (so that we can learn the world beside it).

In the end it’s a decent book– easy to set aside, a good intrigue (though hard to follow with the character names/relations so similar), and it has an interesting twist on the population explosion and containment.

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Little Brother X

I wolfed the book down. It kept me up several nights– I kept thinking just one more page, one more chapter. It was well written, and I really liked the characterization. As Jennifer said when she finished reading it, this book is going on our gift giving list. It has a lot to recommend itself to everyone, adult and teen.

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Valedemar: Winds and Storm Trilogies

Another solid six books in the series and a good conclusion to the world.

The Wind Trilogy is Elspeth’s and is about her long journey, training, and return. She’s a more complex character and not completely sympathetic, which is good. She’s given a number of gifts and talents, which seem to exceed the demand that’s put on them by a pretty wide margin much of the time. The book also introduces Darkwind who has a lot of POV chapters and his own struggles for the first two books before falling in beside Elspeth for the conclusion.

The Winds trilogy returns to a tighter set of POVs; typically Karal (the Karsite scholar). As the series goes on other POVs become more common, but the story is still Karal’s. Karal gets a lot less cool powers and status– most of the time, his efforts are like a Buffy scooby– inspiring, but not the person slinging the power or beating the bad guys by himself. The second book’s conclusion is a little disappointing, mostly because the third book’s conclusion is so similar. If you’re annoyed by “reunion books” where everyone in every other book makes an appearance, you might be annoyed– but it’s handled quite well and doesn’t dominate everything.