Yesterday was the culmination of three storylines in three formats.
The first was the end of KOTOR, Knights of the Old Republic. Despite a few intention/controls issues, it really captured the feel of a good roleplaying campaign. It was the greatest investment of time, and payed off for it.
I finished Prodigy last night. It’s the second book in a YA series; it did a nice job of deepening the world and revealing more complexity. It was strong enough that I decided to get the other two books in the world, but I suspect that details will quickly fade.
The third thing I finished was The Customer is Always Wrong, a graphic novel. It read very quickly and felt near autobiographical. It was a surprising world, despite being so close to me in time and location… class, culture, and a decade made a big difference.
All three were great. I was particularly surprised at how odd it felt to complete three “storylines” in unrelated worlds and presentation styles. It certainly was indulgent–and felt so!
A series of well told tales; each chapter is a complete incident, but they stack up to make a very autobiographical feeling graphic novel.
I loved Madge and the various characters who came on stage–particularly her fellow employees, but also customers, her neighbors, and the various people who cross paths and collide with her.
I was surprised by the omni-presence of drugs in her circle–that’s probably a sign of my naivete and a decade’s difference; after all, I grew up in the era of the all powerful “Just Say No”.
In any case, it’s sweet, heartfelt, and devours in an instant.
The second book, a sequel to Legend. It doesn’t start off as a great stand alone (it starts with them on the run, so you’ll want to understand who they’re running from and running toward), but it offers a solid conclusion. The conclusion marks a pivot–I can see a third book with a different mix of POV characters, though it doesn’t have to change.
The books kicks off with learning more about the Patriots, including meeting their leadership. The plan they present to Day and June is a YA level plot… which makes it rewarding when it’s later revealed that the Patriots, Republic, and Colonies are all more complicated than Day or June understand.
Tess really blossoms as a character and feel authentic. Day and June have a bout of trust issues–while it makes sense and doesn’t quite fall into the trap of being easily solved in one conversation–it still felt tropey as I read it.
The final sequence is movie ready action, requiring action movie like levels of disbelief. But it ends strong, with the characters changed and looking forward to much more adult and constrained responsibilities. (As I wrote this, I realized that their position at the end of this book isn’t dissimilar to Katniss and Peta the end of the Hunger Game’s first book.)
Anyway, I enjoyed it and it finished well. I’m ordering the next two books from the library.
A fun YA book set in a dystopia that seems more the result of politics and climate change than nuclear winter or an equally dramatic break with today. Though, given the Elector’s control over information, who knows how much the world is accurately seen by either of our perceptive teens?
Day and June are both very sympathetic characters; incredibly skilled and to be looked up to from a raw potential POV, but also still victim to teenage gaps.
I enjoyed the first book and am a few chapters into its sequel, Prodigy.
I hopped right in and enjoyed the world, but it feels slightly less deep than the other universes. Perhaps more time (and books) in the universe will help. The open ended ending–the resolution feels much less complete in one book than Scalzi’s norm–probably affected the way it felt.
The scale, too, is different. Instead of following a normal person for the universe around, we’re in the midst of nobility and the emperor’s court.
I bet that with another read, I’ll warm to the main characters further. Similarly, I like the interdependency as a universe; it feels like a screwed up world that we could easily stumble into.
An interesting tale tangentially related to Forever War–but it stands alone as much as it claims.
It’s a not too future with a fight between an imperialist America running a drug-war squared type intervention throughout the third world, remotely piloting mechs from the safety of fortified bases. Julian’s life bounces between his 10 day duty rotations and a scraping by life as a junior professor at home.
A couple of overlapping developments break the characters out of their comfortable lives and into the depths of scientific controversy and into a struggle with an apocalyptic cult. The final development comes from a crazy skew and seems to work too well… but it works.
A well written book, with super engaging characters. Patricia and Laurence begin the story young; a big chunk of the book is written with Patricia and Laurence in 8th grade.
They’re both outcasts, each with their own niche–and each with overbearing parents who want to fix them. They become their own people with a lot of struggle.
When they reconnect, it’s exciting to see them confident and come into their own. Of course, the universe keeps it tough on them…
It’s been a while since I read the book, so my review is a bit less detailed.
Long story short, I really like this take on superheroes and the beginning of the cold war. It felt like a complete book, but there’s a clear opportunity for sequels.
The heroes are of the “one exceptional trick” school of superhero, rather than each being a grab bag of awesome. There’s also a strong suggestion that there’s something… deliberate about the force that’s imbuing people with powers.
I do look forward to the sequels.
This is a fascinating book set “next week” or so. The characters are well drawn, though stereotype is pretty close to the surface for most of the characters.
It’s interesting to watch the wasps and their problems spread; it feels exaggerated but plausible throughout. The science takes center stage and feels plausible–and it’s nice to see scientists spending time on science, on screen.
The relationships feel a bit more artificial or plot convenient–back to plausible but not quite convincing. They’re not at the center of the story, but they work and get us a global viewpoint.
In the end, it was a pleasant read with explorers and scientists at the heart of the story, rather than action heroes. That’s pretty novel for a modern setting.
The sequel to Too Like the Lightning, this depends on the first book quite a bit. (It really reads as the second half of a book that was too big to fit under one set of covers.
It’s still inventive, but less amazing now that it’s building on the familiar. The world’s messy and getting messier, but the novelty of the arrangement of powers is less compelling. There are exciting developments–the story feels even more like Bridger and Jehovah are the stars everyone circles, though we don’t get to experience much on screen time with Bridger.
The world’s falling apart. We learn about everyone, and some of the additional information significantly changes who we thought we saw before.
The two books cover a week. The very last chapter jumps ahead by a few months and sets the stage for a series tackling the developments and changing world going forward.